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.12.Aristotle 2003, 1139b17.".The Critique of Rhetoric and Writing in the Phaedrus1.Paschein and pathein both mean su"ering, though this rendering is at thestrong end of their shades of meaning.They can have milder meanings, even to the pointof something like experience or undergoing. In this passage, I agree with almost alltranslators in rendering them su"ering. 2.Note that the English noun already includes a reference to memory.3. Plato s Pharmacy, in Derrida 1981.4.A third consideration I note only as a puzzle: why does Phaedrus refer to thestory as one about the Theban king ? Socrates mentioned only in passing that the UpperKingdom of Egypt, where the myth takes place, is called by the Greeks Egyptian Thebes (274d).5.Sartre 1962, 55.For writing as a gift, cf.53, 62; for the conferring of respon-sibility and the appeal to freedom, cf.46 47, 64 65. 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Indexabsolute knowledge, 110 111 dimension of, 4, 17 18, 56 57, 82, 87Agathon, 28 29, 40 45 88; objections to formulations of, 16aischros, 32 17; philosophy of, 89 90; physical, 36Alcibiades, 52, 56, 60 62, 85, 132 133 37, 52 54; as pleasures of sight andAlcmaeon, 89 hearing, 23 24, 81 82; potential ob-Andenken, 120 jects of, 15, 53; as power, 22, 82 83,Antiphon, 95 138n10; relativism and, 76, 84 85;Apollodorus, 28 shining, 83; of sophistry, 11 12; of theApology, 26, 131, 132 soul, 54 55; stages in ascent of, 52 55,appearance and beauty, 19 21, 36 37 112 113; su"ering and, 117; usefulnessAristodemus, 28 29 and, 21 22; virtue and, 59 60, 84,Aristophanes, 34, 37 41, 60, 100 112 113; youth and, 95 99Aristotle, 47, 76, 105, 142n10 being versus appearance, 20Aufhebung, 43 44, 46, 55 Bury, R.G., 100beauty: appearance and, 19 21, 36 37; Callippus, 100connection to eros, 29 30, 34, 41 42, Charmides, 8, 73, 105 106, 12646 47, 48 49, 63; connotative defini- childbirth, 45, 50tion of, 17, 22 23; creativity and, 42 connotative definition of beauty, 17, 22 2343, 48, 49 52; deception/illusion and, creativity, 42 43, 48, 49 51; immortality20 21; denotive definition of, 17 18, and, 51 5222 23; dialogues in defining, 1 8, 12,24 26; existential experience of, 3; as dangers of eros, 31 32, 70 71, 139n4experience and being, 3, 81 85, 89, Dasein, 44120; female, 15 16, 45 46; goodness deception and beauty, 20 21and, 22 23, 47; inner, 50 51, 97 99; definitional dialogues, 1 8, 24 26love of, 42, 78; of nature, 65 66; nature denotive definition of beauty, 17 18, 22of the soul and, 74 81; non-discursive 23 148 indexDerrida, Jacques, 122, 133 Eryximachus, 34 37, 42, 67, 68Descartes, René, 36, 134 Euthyphro, 8dialogues: definitional, 1 8, 24 26; depth experience, beauty as, 3, 81 85, 89, 120and focus, 2; indirect issues addressedby, 2; as reminders, 133 134; subjec- finite knowledge, 88 89, 109tivity in, 127 129; unsaid in, 2 3 form of beauty, 56 59Dion, 101 102, 132Dionysus, 92 93, 103 104, 113, 132 Gadamer, Hans-Georg, 110Diotima, 3, 14, 32, 42, 45, 96, 106, genocide, 137n1140n23, 141n25; on beautiful souls, Glaucon, 2854 55; on creativity, 42 43, 48, 49 52; gods, the, 38, 74 79, 84 85, 111, 118 119on eros and beauty, 48 49; on female gold, 16, 17eros, 45 46; as a foreigner, 46; form of goodness and beauty, 22 23, 47beauty described by, 56 59; on hier-archical eros, 46 47; on human nature, health, 35 3646 47; on origins of eros, 47 48; on hearing, 23 24physical beauty, 52 54; on virtue, 59 heavens, the, 74 7660, 112 113 Hegel, Georg W.F
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